For a brief moment it felt like Lil Uzi Vert had lost a step. Though you wouldnt be able to tell from his enraptured fanbase, or the rap writers still reminiscing over his prolific 2016 assault, the Uzi that redefined the rockstar template with petulant, high energy odes to nihilism was receding. Label drama, management reorganization, and leaks all played their part in slowing the crown prince of raps ascent. In fairness, his collaborative efforts over the past year were a wide swath of melodies, adlibs and charisma his peers couldnt contain, let alone compete with (Im looking at you, Lil Baby, Young Thug, Playboi Carti). But when left to his own devices, Uzis solo material was often an uninspired graveyard of freestyled nonsense (Free Uzi), redundant subjects (Thats A Rack) and beats that carried the proceedings (Sanguine Paradise). The songs werent bad, but they lacked dynamism that defined the Philadelphia rapper.
That whole paragraph, about Uzi losing his way? We take it back. Part course-correction, part recalibration, Slayerr is Lil Uzi Vert, rejuvenated. Produced by TM88 and Bobby Raps and released on Friday, Slayerr is pure bombast; all reverb-drenched ad-libs crashing against wonky synths. Shes in love with a rager / Shes a rockstar everybody said dont date her, screeches Uzi across the chorus, with a sincerity that should be applauded. The central conceit behind Slayer is goofy theres a bad girl, Uzi likes her and has a plethora of horny ways to describe their chemistry but he sells it on charisma alone.
Uzi at the peak of his commercial power tends to channel rock XO TOUR Llif3, The Way Life Goes while imbuing it with a his winning sense of chaos. Slayer proves that the brightest future for Uzi sounds like what hes already perfected.